12,000-Year-Old Cave Drawings Of The Ice Age Megafuna

12,000-year-old cave drawings of the ice age megafuna in the Colombian Amazon. Archaeologists from the ERC LASTJOURNEY project have discovered spectacular rock pictographs in three different rock shelters in the Department of Guavire, Colombia.

This photograph, taken approximately 12,600 and 11,800 years ago, testifies that the first inhabitants of the Amazon rainforest lived with the now-extinct animals of the Ice Age, such as giant sloths and mastodons.

Professor Iriart at the archaeological site of Cerro Azul in the Serranía La Lindosa, Colombia.

These are really amazing images, produced by beginners living in western ammonia, said Dr Archaeologist from the Department of Archeology at the University of Exeter. Mark Robinson said. They migrated to the region during a time of extreme climate change, which caused a change in the flora and forests.

The Amazon was still transforming into the rainforest that we recognize today. The painting offers a vivid and exciting insight into the life of these communities, he said.

It is amazing for us to think among those who lived, and hunted, the vegetarian giant, some who were the size of a small car. Example of cave paintings from Cerro Azul that represent various motifs: (a) anthropomorphic, (b) hand, (c) geomorphic, (d) geometric, (e) vegetal.

Dr. Robinson and his colleagues found ancient paintings in three rock shelters at the archaeological sites of Cerro Azol, Limousillos, and Cerro Montoya in Lindosa, Amazonas de Cerona, at the Lastjouni project, in the extreme north of the Colombian Amazon.

The vibrant red paints were created with mineral tints, especially ocher, which gives them their distinctive terracotta red color. They originated over a period of hundreds of years, or possibly thousands of years.

The most abundant motifs recorded by the team are anthropomorphic, geomorphic and geometric and vegetal themes.

Many of them depict hunting scenes and rituals, showing humans interacting with plants, forests, and animals of the savannah.

The most abundant zoomorphic figures include deer, tapir, crocodiles, bats, monkeys, turtles, snakes, and many others. Fundamentally, the cave painting represents what appears to be an extinct megafauna from the Ice Age.

These include images that look like giant sloths, mastodons, camelids, horses, and three-toed trunks.

The ice age megafuna is shown in Serrania La Lindosa paintings that include: (a) giant lethargy, (b) mastodon, (c) camelid, (d, e) horse, (f) long neck, three toes Trunk.

At the time the paintings were made, the temperature was rising, and today’s widespread Amazon rainforest began an area transformation from panty savannahs, thorn bushes, gallery forests, and tropical forests to tropical forests.

The Cerro Azul, Limoncillos and Cerro Montoya refuges are far from modern settlements and trails, but were known to some local communities who helped researchers locate them.

These cave paintings are excellent evidence of how humans rebuilt the earth, and how they hunted, farmed and raised fish, said Professor José Iriarte.

And also from the Department of Archeology at the University of Exeter. “Art was probably a powerful part of culture and a way of connecting people socially.”

The images show how people lived among the now-extinct giant animals that they hunted. The discovery is described in an article published in a journal called Quaternary International.

‘Sistine Chapel’ of rock art discovered in the distant Amazon rainforest. The images are being filmed for a major Channel 4 series, Jungle Mystery: Lost Kings of the Amazon.

Footage is being filmed for a major Channel 4 series, Jungle Mystery: Lost Kings of the Amazon, set to launch in December. Thousands of images from the ice age were inscribed on the faces of people and animals 12,500 years ago.

One of the largest collections of prehistoric rock art in the world has been discovered in the Amazon rainforest.

Failed like archaeologists’ Sistine Chapel, archaeologists have found thousands of portraits of animals and humans built 12,500 years ago on rocks that stretch about eight miles west of Colombia.

Its date is based in part on depictions of animals from the now-extinct ice age, such as Mastodon, a prehistoric relative of the elephant that has not been roaming South America for at least 12,000 years.

There are images of the Paleolama, an extinct camel, as well as giant sloths and horses from the Ice Age.

These animals were seen and painted by some of the first humans to reach the Amazon. His photographs give an idea of an ancient lost civilization. The paintings are so large in scale that it will take generations to study.

The discovery was made last year, but has been kept under wraps for now, as it was filmed in December for a major Channel 4 series: Jungle Mysteries: Lost Kings of Amazon.

The site is located in the Serranía de la Lindosa, where other rock art was found, along with the Chiribicete National Park. The host of the documentary, Alla Al-Shamahi.

An archaeologist and researcher, told the Observer:

The new site is very new, they haven’t given it a name yet. There are many handprints among the cliff images, these have similar ones at the Cerro Azul site. There are several handprints among the cliff images, these have similar ones at the Cerro Azul site.

She spoke of the thrill of seeing “stunning” images created thousands of years ago. The discovery was made by a British-Colombian team, funded by the European Research Council.

Its leader is José Eriart, a professor of archeology at the University of Exeter and a leading expert on Amazonian and pre-Columbian history.

He said: “When you are there, your feelings flow … We are talking about several dozen images. It takes generations to record them … whatever you do. Yes, that is a new wall of paintings. We start to see animals that are now extinct.

The images are so natural and so good that we have some doubt that you are looking at a horse.

For example, Himyuga had a wild and heavy face on his horse’s face. The paintings include fish, turtles, lizards and birds, as well as dancing and holding hands among other scenes.

One figure wears a beaked bird mask. The site is so remote that after a two-hour drive from San José del Guavia, a team of archaeologists and filmmakers traveled on foot for about four hours.

Somehow he avoided the most dangerous inhabitants of the area. Summits are everywhere, and we kept snakes with us, al-Shamahi said, recalling a jungle giant, America’s deadliest snake with an 80% fatality rate, on his way to the jungle.

They were late in coming back and it was already dark. They had no choice but to walk, knowing that if they were attacked, they were less likely to make it to the hospital.

"You are nowhere," he said. Said it was "100%" to see the photos.

As the documentary points out, Colombia is a country torn apart after 50 years of civil war, which was fought between the FARC guerrillas and the Colombian government, with an uncomfortable journey so far.

The area where the images have been discovered was completely closed until recently and still requires careful negotiation to enter safely. Al-Shamahi said: When we entered the Farakka region, it was exactly what many of us had been shouting for a long time. The search is not over.

Scientific discovery is not over, but now great discoveries are to be made in disputed or hostile locations. There are many lines of hands and many paintings at that scale, as if they were geometric shapes, animals or humans. Others are very large.

Many paintings are at the top, similar to the Cerro Azul site, so high that it can only be reached with a drone. Al-Shamahi drew attention to how many of them are up: I am 5 feet 10 inches tall and I see my neck breaking.

How were they spreading those walls? Some paintings are so tall that they can only be seen with drones. Iyerte believes the answer lies in the depiction of wooden towers among the paintings, including bungee jumping figures.

He said: “These paintings have a terracotta red color. We also found pieces of ocher that were scattered to make them.

Explaining the sacred or other purpose of the paintings, he said: It is interesting to see that many of these large animals are surrounded by small men with raised hands, almost worshiping these animals.

He said the fantasy involves hallucinatory trees and plants, adding: “For the people of the Amazon, non-humans, like animals and plants, have spirits and can cooperate with hostile people through shameful rituals and practices.” Communicate and show. In rock art “.

Al-Shamahi said: One of the most fascinating things was being seen in the ice age because he is a time marker. I don’t think people realize that the Amazon has changed in its appearance.

It has not always been this rainforest. When you look at a horse or mastodon in these pictures, they certainly are not going to live in the forest.

They are very large, they not only give clues as to when They were painted by beginners, who in themselves are only the stubborn, but also they’re hinting at what it would look like to be very successful: more like Savannah.

Thousands of 12,000-year-old cave paintings were found in Colombia. At the end of the last ice age, prehistoric artists painted thousands of images.

Including depictions of mastodons, giant sloths and other now-extinct animals, on rock walls in the Amazon rainforest, Dalton Albert reports for The Guardian.

Archaeologists found the first of a vast set of images in 2017. But they kept the treasure a secret as they continued to work and produce a television series about the discovery.

A British-Colombian research team funded by the European Research Council observed paintings stretching for eight miles in the Serranía de la Lindosa.

Which is part of the Colombian Amazon. The art of red ocher includes fish, lizards, birds, geometric patterns, and humans, in which people dance. In at least one image, suggest a mask of the face of a human bird.

An extinct camel known as a paleolama and a type of horse that lived in the region during the Ice Age has also been shown to exist.

The photos are so natural and so well done that we suspect, for example, that you are looking at a horse, says team leader José Iriart, an archaeologist at the University of Exeter. The horse’s face was wild, heavy. It’s very detailed, we can also see horse hair. This is interesting.

Live Science’s Laura Gagel reports that ancient artists created works between 12,600 and 11,800 years ago. At the time, the region was shifting from the landscape of savannas, shrubs and forests to the tropical rainforest seen today.

According to team member Mark Robinson, an archaeologist at the University of Exeter, the people who made the drawings were possibly among the first humans to live in the western Amazon.

The painting offers a vibrant and exciting insight into the life of these communities, Robinson said in a statement. It is incredible for us today to think of those who lived, and hunted, the vegetarian giant, some who were the size of a small car.

The art displays a wide variety of animals (including now extinct species), plants, humans, and geometric patterns. The archaeologists’ work includes research on ancient agriculture and the ways humans changed the Amazonian landscape.

In rock shelters located near the arts, researchers discovered remains of food eaten by artists, such as fruits, crocodiles, capybaras and armadillos.

Recently, the region became inaccessible to researchers due to the 50-year civil war in Colombia. Per Brian Boucher of ArtNet News began the investigation in 2016 after signing a peace treaty.

But the archaeologists had yet to ask the rebel forces who had not signed an agreement for permission to take a five-hour hike through the jungle to the rocks. Eckert told ArtNet News that the artists’ choice of rain-fed smooth rock walls serves as an ideal canvas for detailed paintings.

Some of the works are located so high on rock walls that researchers had to use drones to take pictures of them. Speaking to The Guardian, Eriart says the images themselves provide clues as to how the artist reached such heights.

Many show wooden towers and humans that appear to be jumping from them. According to Iriter, the paintings may be related to religious practices. For example, some show large animals surrounded by small human figures, presumably raised in their worship.

For the people of the Amazon, non-humans, like animals and plants, have souls. And they communicate and interact with people in a cooperative or hostile way through shameful rituals and practices depicted in rock art. , said. He tells the guardian.

In April, the researchers published some of their findings in a journal called Quaternary International. A documentary about the findings, “Mysteries of the Jungle: Amazon’s Lost Empire”, will air later this month on Channel 4, a British public television station.

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